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  1. Opinionated journalism
  2. Columnism
  3. Profile of Columnists
  4. Literary Criticism
  5. Ethical Obligations
  6. Conclusion

To Cremilda Medina, belief in Journalism is "[] the fact commented and evaluated on a demonstrative argument" (MEDINA, 1988 p.70). The author proposes a mood board where points as categories of journalistic production information, expanded information and opinion expressed, considered more appropriate that the notion of informative journalism, interpretive and opinionated. José Marques de Melo exposes the sort of journalism in two genres: the informative and opinionated. The latter could be presented as editorial, comment, article, review, column, chronic, caricature and even letter.

This distinction between the informational category corresponds to a professional and also political artifice. Professional in the contemporary sense, meaning the extent that the journalist moves, moving between the duty to inform (honestly recording what notes) and the power to express an opinion, which is a concession that it is provided or not the institution in which it operates (MELO, 1994 p.23-24).

[...] How Piza says at the end appendix of the book, in which he relates an essential bibliography for the professional culture, "cultural journalist has an essential duty to himself, not too lazy to read" (PIZA, D. 2004). REFERENCES BRANDÃO, Ana Paula. A humorous look at the Rio in the 20s In: Communication Notebooks 5. Rio de Janeiro, the City of Rio de Janeiro BUNNY, José Teixeira. Apeste language. Folha de Sao Paulo, 03/30/97 notebook More, p CUNHA, J. C's. And the theater performer. [...]


[...] Rules and regulations will sprouting from the logic of the books. They ended up constituting grammars linked to rationalizing paradigms that ended up shaping professional practices. Emerged as an example of modernity, manual work mainly as disciplinarians of journalistic do and, as a result of road, the communicators, particularly with respect to the information production. The limits of opinionated space, the rules are not clear. In principle, all need to hand place the articles and a connection with the editorial news of the vehicle but without prohibiting other topics. [...]


[...] Ethical Obligations "The journalist should have a solid cultural and got to know very well some things. He should know history, know how your country, the country machine, the relations in society "(ABRAMO p. 249). In addition to the solid cultural, the field of transmission of written ideas is also necessary. Again Claudio Abramo is a reference: insist on simplicity, not as much as the style, the construction of the sentences, the reasoning flow. People who have clear ideas are expressed clearly; clearly results in simplicity ( . [...]


[...] According to its credibility and to the degree of fervorosidade that praise or depreciate a work, critics can leverage or destroy careers of many professionals. The journalist and professor Dr. Journalism course at Mackenzie, Maria Cecilia Garcia, defends the idea during the seminar held by the Biennale that you have to work with the prospect of conceiving critical as another form of creation, as another form of art, establishing a dialogue between the two consciousnesses, that is, creative and critical. [...]


[...] The news only emerged strongly as the journalism field of interest in the country from the early twentieth century. This movement of change has been consolidated by the end of the 1940s is Claudio Abramo (1988), in his memoirs, which, while commanding the graphical reform Estado de São Paulo" in the early 1950s, opinionated design spaces , recovering the importance of reflection to understand the news. Conceptually, Abramo defended the need for journalists to express their opinions publicly, considering the condition in a privileged form of some of these professionals, in that, like him, in addition to extensive self-taught culture, should have a better understanding of political phenomena and economic partner, given the proximity to the coverage of events. [...]

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