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European cultural capitals at the XIXe century

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  1. Introduction
  2. The beginning of Nationalists drift
    1. The progressive integration of Jews
    2. The legacy of traditional Judaism
    3. Persistent prejudices
  3. The rise of antisemitism in the 1880s
    1. The Jew, 'scapegoat of modernity '
    2. Strengthening the construction of identity in race
    3. Discomfort spread by the press and the literature
  4. The violent antisemitism led to a division of corporations
    1. Of termination to the exclusion
    2. The instrumentalization of anti-Semitism by political forces
    3. Zionism, a response to the barbaric antisemitism

"Since the Second World War, a bleak shadow has never dissipated from the once bright horizon of Europe." It is with nostalgia and bitterness that Stefan Zweig in his autobiography The World of Yesterday, published in 1944, describes the influence of the cultural capitals of Europe in the nineteenth century. From Vienna to Paris via London or Berlin, Zweig describes, from the point of view of a European citizen, the foundations and manifestations of the brilliance of the cultural capitals of his age. What are the manifestations of radiation and the foundations of European cultural capitals of the nineteenth century? In presenting these events, we will show what these cultural capitals in Europe are.

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