Search icone
Search and publish your papers

Rodman's representation of music

Or download with : a doc exchange

About the author

General public

About the document

Published date
documents in English
term papers
3 pages
General public
0 times
Validated by
0 Comment
Rate this document
  1. Introduction
  2. The actual positive affects of filesharing
  3. Rodman's piece
  4. The Rodman reading
  5. Conclusion

Being a UMass student in today's day and age is far different from those who had come before. One of my most apparent and vivid memories of being a freshman four years ago was my discovery of the (now infamous), i2hub. Being an avid record collector (both vinyl and cd form), I at first felt apprehensive to hop onto the filesharing bandwagon. What was the purpose? I felt it took away from the physicality and closeness felt upon purchasing a new piece of music. Similarly, I was also dead scared of being sued like the rest of the university has been since then. Despise my apprehension, i2hub (and later Soulseek) became my sole form of new music discovery in my life. For people who know me and my personality, music and the discovery of underground bands is my number one and sole hobby. Oddly enough, my assumptions on filesharing culture were entirely false.

[...] It is the industry who values the of music more than the audience and artist. The audience values the musicality of the product. The artist values his music because it is his ?intellectual property?. The industry simply values music because of its financial value more than any other. According to the authors, what is very specifically at stake over the distribution and circulation of music is intellectual property. What Rodman states, is altered by the industry, is that they actually own that property. [...]

[...] He believes that due to filesharing the significance of music is dwindling due to not only file-sharing, but those ridiculous business practices put forth by the industry. He also understands the significance of other media tie-ins (re-intermediation) to the industry and just how unbelievably hostile the industry can be when they feel as if they are losing control (Rodman's example of the birthday song ties-in). Jones, agrees with the prior two in that he sees how the internet and filesharing can actually boost the industry standards due to the networking that can truly only take place on the internet in today's day and age, As with the industry, all of the authors wrote about the value of music. [...]

Similar documents you may be interested in reading.

The French reality TV programme landscape and the Star Academy programme

 Arts & media   |  Arts and art history   |  Presentation   |  09/29/2010   |   .doc   |   8 pages

Top sold for social sciences

Critically evaluating the ASPIRE model of social work

 Politics & international   |  Social sciences   |  Presentation   |  02/20/2009   |   .doc   |   7 pages

SWOT analysis on National Society of the Prevention Cruelty to Children's Online Program

 Politics & international   |  Social sciences   |  Term papers   |  05/30/2009   |   .doc   |   4 pages