Profile; Critics of Theatre; cultural journalism
This study analyzed the theme "the profile of theater columnists and critics working in Brazilian journalism." The objective of this study was to survey the theater columnists acting in major journalistic vehicles. He was later approached by the professional curriculum, the formation of the most important columnists that make up through the print and digital journalism (cultural), the scenario of Brazilian theater. The theme of this research is extremely important for addressing precisely what the professionals working in journalism depicting the theater, and also what their professional training to lecture on the subject.
Therefore the research could serve as an analysis of the importance of these working professionals, contributing both to journalistic class, as theatrical. It was concluded that the theater is an artistic expression of the utmost importance and their disclosure should be comprehensive and conducted by competent and specialized professionals.
[...] In a frequent manner, or more systematic, you can then speak of cultural journalism: in an incipient way, perhaps fragile and even highly specialized. But if at that time the printed newspapers in the country dealing basically political disputes, the limited cultural scene will also forge space in magazines varieties, ads and social columns, initially more concerned with "officiate" and relay intrigue, visits or public appearances of a few oligarchs families of the main Brazilian cities which had a structure and minimally literate public to ensure the maintenance of a hebdomadário. [...]
[...] Petropolis: Voices SODRÉ, Nelson Werneck. Press story in Brazil. 4th ed. Rio de Janeiro: Mauad 1999. SORRENTINO, Carlo. I percorsi della Notizia La stampa Italian daily against policy and Mercato. Bologna: Italy, Baskerville. Taschner, Gisela. The wind leaves: analysis of a newspaper conglomerate in Brazil. Rio de Janeiro: Paz e Terra Tinhorão, José Ramos. [...]
[...] In the Bar of Life: Cultural production and sociability in Sao Paulo-1940-50. London: Senac GARCIA, Luiz (org). The Globe. Writing and style manual edition, São Paulo p.34. GUZIK, Alberto. Testimony. Message received by Edelcio Mostaço February 2002. JANK, Helena et al. History in Focus: a songwriter under the New State (1937-1945). Report Scientific Initiation Search Final PIBIC / CNPq. [...]
[...] The cultural journalism remains among the favorites of the public and gaining more status among young people wanting to pursue the profession. Practice it, however, is much more than giving opinions about movies, books, plays and novels. It is a constant exercise enhancement and search for information (PIZA p. 07). In his book, the author points out that a good text on cultural issues have to preserve all the characteristics of good journalistic text - clarity, consistency, agility. In addition, you should tell the reader what is the work or the discussion, summarizing its history, its general, who is the author etc. [...]
[...] A landmark of cultural journalism principles, not a start date is 1711. It was this year that two British essayists, Richard Steele (1672 - 1729) and Joseph Addison (1672 - 1719) founded a daily magazine called The Spectator, Steele had already created a few years earlier, The Tatler, and then Addison as a collaborator, and more later would other publicaççoes; as The Gardian. The two decided to launch the Spectator for the following purpose: "Taking the philosophy of offices and libraries, schools and colleges, and take clubs and assemblies, teahouse and cafes." And so be it. [...]
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